Introduction to this Cityscape: Frederick Jackson Turner & the Old West

(The Significance of the Frontier in American History is an essay by Frederick Jackson Turner. The edition referred to here was published by Penguin in 2008. An e-book edition can be found here.)

Deadwood began as a camp for gold miners in the 1870s and is known today for being the place where famous gunfighter and lawman Wild Bill Hickock was killed, and where other legendary figures of the Old West like Calamity Jane lived for a time or just stopped over briefly, as Wyatt Earp did.

As a broad look at the history of the Old West, Frederick Jackson Turner’s essay is as good a starting point as any for creating a cityscape of Deadwood, SD. It’s particularly useful because, as illustrated in the other texts referenced in this blog, Deadwood falls exceptionally short of the grandiosity that Turner affords the progress of western expansion.

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Let no man at the East quiet himself and dream of liberty, whatever may become of the West… Her destiny is our destiny.

Dr. Lyman Beecher, speaking in 1835, cited by Frederick Jackson Turner.

The clip shows Al Swearengen talking to a judge about the trial of Jack McCall, the man who murdered Wild Bill Hickock.Swearengen, in his own way, is trying to show the judge that because the camp is illegal and there is no law, holding a trial as though there is a law may incite the federal government into declaring that all rights to property acquired in the camp are void. This is one example of how the series identifies outside forces as the source of tension, the result being that the residents of Deadwood eventually find they need to work together to build a community.

HBO’s Deadwood

HBO’s Deadwood covered the period of 1876 to 1877, when the city began as an illegal camp for gold miners. In the show, the camp is struck into shape by a variety of forces: gold speculators, private interests, the federal and state governments, American Indians, and so on.

The focus of the series is largely on two of the camp’s most prominent figures: Al Swearengen and Seth Bullock. Swearengen is the owner of the Gem Saloon and was one of the first to move into the camp. Bullock arrives later with his friend Sol Star to open a hardware store for the miners. Swearengen has no compunctions with taking extreme steps to ensure his interests are protected. Bullock, on the other hand, is inherently mindful of the law and eventually becomes sheriff (with Swearengen’s endorsement), despite his violent temperament. Over the course of the show, these two men find themselves compromising at the behest of the other for the sake of the camp’s uncertain future.

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A sketch of Deadwood from Harper’s Weekly, October 28, 1876. (Source: The Mitchell Archives.)

A sketch of Deadwood from Harper’s Weekly, October 28, 1876. (Source: The Mitchell Archives.)

The chair Wild Bill Hickock was murdered in. (Source)

The chair Wild Bill Hickock was murdered in. (Source)

Deadwood Chamber of Commerce

Note: click on the title to be taken to the website.

The website of Deadwood’s Chamber of Commerce reveals a lot about the modern character of the city. Designed primarily for tourists, as that’s where the city receives most of its business, it lists all of the recreational activities available.

Within the Gaming page, there’s a link to the Mineral Palace Hotel and Gaming complex, which is particularly noteworthy for its historical antecedent, Al Swearengen’s Gem Theater. Another notable figure of Deadwood’s past is Seth Bullock, and a link to his Historic Bullock Hotel can be found on the website.

There’s also the lack of regulations for opening and running a business in Deadwood. With “no corporate income tax, no personal income tax, no personal property tax, no inheritance tax and no business inventory tax,” irony appears to be abundantly present in the city. It appears Turner was right about western settlers’ aversion to the tax-gatherer. “You don’t need a bunch of permits to do business in Deadwood, usually a sales tax license is all that is necessary.”

Exploring this website gives the impression that like Las Vegas, Deadwood is a sort of postmodern version of a city. It’s taken its violent and anarchic history and turned it into a source of entertainment, infusing it with the mythic sweep of the Turnerian vision of the Old West (something I’m almost certain Turner didn’t envision for any of the Old West camps and settlements).

Deadwood gambling spurred change, but the town's evolution continues

Note: click on the title to be taken to the article.

This article in the Rapid City Journal depicts Deadwood’s current state as a result of relatively large scale infrastructural decisions made for the city after it suffered blows to its economy in the decades preceding the 1987 Syndicate Fire. As explained in the Deadwood Chamber of Commerce blog post, the city has engaged its history to help rejuvenate its economy.

What’s peculiar about the article is when it goes into what has been lost since this rejuvenation. One detractor of the gambling boom is quoted as saying Deadwood “lost all of the wonderful, wonderful characters of the last 20 or 30 years,” reminiscing about previous residents like gunfighter Joe Barcelone. The implication seems to be the gambling boom drove many of these people out, although Joe Barcelone choked to death on a piece of steak in 1992. (On a side note, this brief video is a look back at Joe Barcelone’s life. I would suggest you watch it and then read the scathing comment about the man, located on the same page, by a reader named David Shoemake.)

If residents were in fact driven out (either by choice or not) by these changes to Deadwood, one can see how the city may change its appearance but still retain its character. It’s still not the easiest place to live. It’s still the centre of gambling we see in HBO’s series, though less cutthroat and more glamorous. Further, if the fate of Joe Barcelone is any indication, the city still awards its gunfighters ignominious ends (relative to the awe they attract with their skills).

Deadwood today. (Source: Flickr)

Deadwood today. (Source: Flickr)

Change ain’t lookin’ for friends. Change calls the tune we dance to.

Al Swearengen, from HBO’s Deadwood.